Monday, June 28, 2010

It's really all about a rolled cuff, no?




These two shots from Tommy Ton's street-style photos for GQ during Paris Men's Fashion Week really struck me. The simplicity, the details, the "effortless" air to them (I know, I know, the whole "effortless" thing is out of control, but sometimes there's no better description).

Sun-kissed


The effervescent Anna Selezneva in Gucci Resort 2011 - such a simple, gorgeous look!

Crew cuts






I'm not always particularly taken with Thom Browne, but I loved his latest Spring collection - fanciful, flattering, and with his consistent point of view. I would love to wear any of these looks to next year's MoMA Party in the Garden.

Sunday, June 27, 2010

Navigator




Is it just me, or were the men's fashion shows a far bigger to-do than usual?

Alber created a somewhat bizarre nomad look for Lanvin, but I liked it. Two of my favorite looks are above. Check out how the lapels of the jacket on top flip over and become the tail - genius!

Dior Homme







I really enjoyed Kris Van Assche's clean, linear collection for Dior Homme. I would love to get my hands on some of these asymmetrical, sleeveless looks.

Friday, June 25, 2010

The Divine Miss M.


Shala Monroque in a Miu Miu blouse and Louis Vuitton shorts

Thursday, June 24, 2010

Lady, be mine




Lady, you gotta be mine.

Natalia Vodianova, Karen Elson, Christy Turlington Burns
Louis Vuitton A/W '10-11 by Steven Meisel

I mean, like...










Dolce & Gabbana Autumn/Winter 2010-11
[click to enlaaarge!]

You're welcome.

Monday, June 21, 2010

Rich & rugged



Bottega Veneta Spring/Summer 2011

Sort of at the opposite spectrum of Jil. I guess I should say that this OR that is everything I want to wear right now.

photos via Sartorialist

Technicolor dreamcoats









Jil Sander S/S'11 is just everything I want to be wearing right now: the explosions of neon, the unexpected color combinations, the proportions, the layering.

Feels very new, of-the-moment, and yet timeless.

Bravo!

Friday, June 18, 2010

Gaga, Get Over Yourself

Lady Gaga causes heads to turn at her sister's Sacred Heart graduation.
Photo by Splash News

To hear celebrity accounts of adolescence, it’s the rare famous person who found happiness in high school. Much such rhetoric has been attributed to Lady Gaga. “I didn’t fit in high school, and I felt like a freak,” she told Ellen DeGeneres in the fall.

That theme played into some coverage of Gaga’s provocations last week, which included appearances at the Convent of the Sacred Heart graduation, where she famously celebrated her sister’s big day in a beekeeper hat and see-through pants, and two days later at Citi Field, where, decked in bra and sparkly panties, a pair of prominently flashed middle fingers proved her boldest accessory.

Over-the-top, what regular folk might call bad behavior, is what pop stars do. To a degree, it’s their job. Many of us have dull lives; we want to be shocked sometimes. But when did flamboyant and outrageous, words packed with the positive rush of bravado and daring, officially become synonyms for obnoxious?



The New York Post’s coverage of the graduation suggested that the outfit, outlandish to most but basic daywear to Gaga, worked a revenge tactic, the megastar’s way of getting back at all those high school bitches who mocked her lust for stardom and her dearth of designer merch.

Which led this former Sacred Heart mom to wonder, huh? Philosophically, the school is nothing if not touchy-feely. Which is not to say its class rosters are populated by angels. My daughter and her friends once wrought ample material from the Halloween sighting of a girl, aged 16, dressed up as a pencil.

But the idea that the supernova formerly known as Stefani was an outcast at all, let alone to such a degree that it still aches six years later, seemed woefully off, a thesis born out in conversations with a few of Gaga’s high school contemporaries.

The young woman I spoke with remembers Gaga as extremely talented, and an attention-seeker, “though not in a bad way,” one noted. Even if not widely considered “the best voice in the Madrigals,” she “sang, danced and played the piano. She liked performing in front of an audience.”

Gaga enjoyed being noticed offstage as well; hence the daily full face of makeup when pre-school primping for most girls involved little more than a shower, toothbrush and messy ponytail. Her style stood out not as far from fashion-forward, but plenty tight. While less curvy types clocked detention hours for too-short skirts, Stefani was more likely to be cited for her too-snug polos; on nonuniform days, she might arrive in second-skin Juicy Couture sweats.

Such attention seeking netted results; one former student said Gaga’s shtick elicited reactions from the “endearing teasing” of friends to catty remarks from those who found her standard theatricality outsized for the history class. But all agreed she had plenty of friends, some of whom she remains close with today.

As for the too-poor-to-tote-a-Gucci angle, this seems pure press invention. A decade ago Sacred Heart was expensive, but not fancy. At Sacred Heart, Gaga herself told New York magazine in March, “There were lots of different kinds of girls. Some had extreme wealth, others were on welfare and scholarship, and some were in the middle, which was my family.”

Some of the former students I spoke with literally laughed at the notion a girl might be shunned for want of the right bag. “What ‘It’ bag?” one quipped. “A North Face backpack?”

No, Lady Gaga’s graduation getup wasn’t about getting back at onetime classmates for being mean, anymore than her Citi Field behavior was about getting back at the Mets for being erratic. This is a young woman who demands attention at every turn, and works furiously for it even when she doesn’t have to.

At the Costume Institute (after Oprah felt compelled to embarrass herself by telling the crowd Gaga was late to perform because she’s a spiritual leader who felt the moment’s need to pray), didn’t she go out of her way to say “f--k” onstage, seemingly because Anna Wintour had specifically requested that she not? What, like we weren’t paying attention before that?

Such is Gaga’s brilliance for centering any solar system she chooses to grace with her presence. Ninety-nine percent of the time, that’s great. Such magnetism is what turns the not-best Madrigal into a superstar, and the superstar into a genuine cultural force, the likes of which we haven’t seen in a generation.

But 1 percent of the time, the private times of private people, the center spot in the solar system should be left for others. Not Gaga’s sister Natali, with whom she’s supposedly very close. Nor even necessarily the other upstaged graduates. Many were probably enthralled by her appearance; all will have a graduation tale for the ages.

But a high school graduation isn’t just for the 40 or so private school girls who parade up a church aisle in white dresses, flowers in hand. It’s also for families, like the one Lady Gaga loves so much. Each came to celebrate his or her own, and a brash crasher stole the moment.

How much cooler would it have been if Gaga had slipped into the back of the church in a quiet Prada dress and workable platforms and let the class of 2010 have its moment? Now, that would have been a lady, Gaga.

Tuesday, June 15, 2010

Crystal clear



Crystal Renn, by Garance Dore

Friday, June 11, 2010

Lordy, Lordy


Russian Vogue Editor Aliona Doletskaya, Stefano Gabbana, Paris Vogue Editor Carine Roitfeld and Domenico Dolce at the Hotel du Cap-eden-Roc for Naomi Campbell's 40th Birthday party

Naomi's 40!!!

The definition of chic


Tonne Goodman, Vogue Fashion Director and recipient of the Eleanor Lambert Award at the 2010 CFDAs, in Michael Kors.

Thursday, June 3, 2010

The Artist is Popular

Tuesday night, Givenchy sponsored a dinner at the MoMA celebrating the end of Marina Abramovic's landmark piece, The Artist is Present. There was quite a turnout.


Ciara and a very revived-looking Marina Abramovic, both in Givenchy Haute Couture, with the designer Riccardo Tisci.

Courtney Love in Givenchy Haute Couture

Anne Christiansen with Visionaire's utterly fabulous Cecilia Dean, in Givenchy Haute Couture


Check out Abramovic's fascinating post-game interview with the Wall Street Journal.